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Thomas Hardy (1) (1840–1928)

Author of Tess of the D'Urbervilles

For other authors named Thomas Hardy, see the disambiguation page.

458+ Works 76,818 Members 1,249 Reviews 413 Favorited

About the Author

Thomas Hardy was born on June 2, 1840, in Higher Bockhampton, England. The eldest child of Thomas and Jemima, Hardy studied Latin, French, and architecture in school. He also became an avid reader. Upon graduation, Hardy traveled to London to work as an architect's assistant under the guidance of show more Arthur Bloomfield. He also began writing poetry. How I Built Myself a House, Hardy's first professional article, was published in 1865. Two years later, while still working in the architecture field, Hardy wrote the unpublished novel The Poor Man and the Lady. During the next five years, Hardy penned Desperate Remedies, Under the Greenwood Tree, and A Pair of Blue Eyes. In 1873, Hardy decided it was time to relinquish his architecture career and concentrate on writing full-time. In September 1874, his first book as a full-time author, Far from the Madding Crowd, appeared serially. After publishing more than two dozen novels, one of the last being Tess of the d'Urbervilles, Hardy returned to writing poetry--his first love. Hardy's volumes of poetry include Poems of the Past and Present, The Dynasts: Part One, Two, and Three, Time's Laughingstocks, and The Famous Tragedy of the Queen of Cornwall. From 1833 until his death, Hardy lived in Dorchester, England. His house, Max Gate, was designed by Hardy, who also supervised its construction. Hardy died on January 11, 1928. His ashes are buried in Poet's Corner at Westminster Abbey. (Bowker Author Biography) show less
Image credit: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Series

Works by Thomas Hardy

Tess of the D'Urbervilles (1891) 19,281 copies
Far from the Madding Crowd (1874) 11,435 copies
Jude the Obscure (1895) — Author — 10,197 copies
The Mayor of Casterbridge (1886) 8,339 copies
The Return of the Native (1878) 7,949 copies
The Woodlanders (1887) 2,390 copies
Under the Greenwood Tree (1872) 2,242 copies
A Pair of Blue Eyes (1873) 1,552 copies
The Trumpet-Major (1880) 1,143 copies
Wessex Tales (1888) 676 copies
Two on a Tower (1882) 668 copies
Desperate Remedies (1871) 568 copies
The Hand of Ethelberta (1876) 545 copies
The Well-Beloved (1897) 451 copies
Life's Little Ironies (1894) 356 copies
A Group of Noble Dames (1891) 172 copies
Woman Much Missed (1600) 159 copies
The Dynasts (0001) 141 copies
Selected Poems (1925) 140 copies
A Mere Interlude (2007) 137 copies
Selected Shorter Poems (1966) 121 copies
Hardy's Selected Poems (1995) 110 copies
Our Exploits at West Poley (1952) 70 copies
Life of Thomas Hardy (1962) — Author — 65 copies
Selected Short Stories (1948) 62 copies
The Penguin Thomas Hardy (1983) 61 copies
Tales from Wessex (1973) 61 copies
Tess [1979 film] (2004) — Original novel — 48 copies
The Return of the Native [1994 TV movie] (1994) — Author — 45 copies
The Distracted Preacher (1879) 40 copies
The Portable Thomas Hardy (1977) 38 copies
Late Lyrics and Earlier (1922) 37 copies
The Withered Arm (1993) 37 copies
The Poems of Thomas Hardy (2007) 37 copies
The Essential Hardy (1995) 36 copies
Poems by Thomas Hardy (1979) 26 copies
A Changed Man (1977) 25 copies
A Trampwoman's Tragedy (1996) 24 copies
Collected Short Stories (1988) 23 copies
The Three Strangers (2009) 20 copies
Stories and poems (1970) 19 copies
Barbara of the house of Grebe (1980) — Author — 19 copies
Wessex Poems (1994) 16 copies
Victorian Short Stories: Stories of Successful Marriages (2007) — Contributor — 16 copies
The Bedside Thomas Hardy (1979) 12 copies
The Dynasts: Part I (1904) 10 copies
Wessex Heights (1988) 10 copies
Love Poems (1963) 9 copies
Works of Thomas Hardy (2008) 7 copies
The Woodlanders (film) (2005) — Author — 7 copies
The Thomas Hardy Omnibus (1979) 6 copies
Romanzi (1995) 6 copies
La risée du temps (1993) 6 copies
Poems: 1912-13 (Syrens) (1995) 5 copies
Cuentos completos (2013) 5 copies
Poemes du wessex (1997) 5 copies
The Dynasts: Part II (2007) 5 copies
Green Blades (2007) 5 copies
Meistererzählungen (1988) 5 copies
Selected Letters (1990) 4 copies
The Son's Veto (2009) 4 copies
Una romantica avventura (1994) 3 copies
Stories of Wessex (1888) 3 copies
On the Western Circuit (1999) 3 copies
Selected poems (1998) 2 copies
Les poésies d'amour (2018) 2 copies
Poemas (2002) 2 copies
The Turning of the Year (1990) 2 copies
Enter a Dragoon (2004) 2 copies
Jude the obscure (1993) 2 copies
Channel Firing 2 copies
Vint-i-un poemes (1988) 2 copies
Alicia's Diary 2 copies
Lesáci 1 copy
(all) 1 copy
Una mujer soądora (1991) 1 copy
Healing Poetry (2013) 1 copy
In scarlet and grey (1977) 1 copy
studies, specimens &c. (1994) 1 copy
Hap 1 copy
Poesie 1 copy
Poesie d'amore (2006) 1 copy
55 wierszy (1993) 1 copy
[Works] 1 copy

Associated Works

The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,270 copies
Winter Poems (1994) — Contributor — 1,206 copies
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 929 copies
Great Tales of Terror and the Supernatural (1944) — Contributor — 646 copies
The Nation's Favourite Poems (1996) — Contributor — 627 copies
The Oxford Book of Gothic Tales (1992) — Contributor — 543 copies
The Penguin Book of War (1999) — Contributor — 454 copies
A Pocket Book of Modern Verse (1954) — Contributor, some editions — 447 copies
The Penguin Book of English Short Stories (1967) — Contributor — 431 copies
World War One British Poets (1997) — Contributor — 405 copies
The Spy's Bedside Book (1957) — Contributor — 359 copies
Literature: The Human Experience (2006) — Contributor — 341 copies
75 Short Masterpieces: Stories from the World's Literature (1961) — Contributor — 300 copies
The Big Book of Christmas Mysteries (2013) — Contributor — 296 copies
The Oxford Book of English Short Stories (1998) — Contributor — 198 copies
The Phantom of the Opera and Other Gothic Tales (2018) — Contributor — 187 copies
Vampires, Wine, and Roses (1997) — Contributor — 157 copies
The Faber Book of Beasts (1997) — Contributor — 141 copies
Chilling Horror Short Stories (2016) — Contributor — 140 copies
A Literary Christmas: An Anthology (2013) — Contributor — 137 copies
The Oxford Book of Villains (1992) — Contributor — 136 copies
Poetry of the First World War: an anthology (2013) — Contributor — 128 copies
The Second Penguin Book of English Short Stories (1972) — Contributor, some editions — 119 copies
The Standard Book of British and American Verse (1932) — Contributor — 116 copies
Damnable Tales: A Folk Horror Anthology (2021) — Contributor — 116 copies
The Norton Book of Travel (1987) — Contributor — 111 copies
Far From the Madding Crowd [2015 film] (2015) — Original book — 106 copies
Foundations of Fear (1992) — Contributor — 98 copies
The Norton Book of Friendship (1991) — Contributor — 96 copies
Poems to See By: A Comic Artist Interprets Great Poetry (2020) — Contributor — 94 copies
Murder for Christmas, Vol. 2 (1982) — Contributor — 87 copies
Crime for Christmas (1991) — Contributor — 86 copies
More Stories to Remember, Volume I (1958) — Contributor — 85 copies
The Treasury of English Short Stories (1985) — Contributor — 84 copies
Selected Stories from the 19th Century (2000) — Contributor — 75 copies
The Everyman Anthology of Poetry for Children (1994) — Contributor — 73 copies
Masters of the Macabre (1999) — Contributor — 67 copies
The Bedside Book of Famous British Stories (1940) — Contributor — 67 copies
A Book of Narrative Verse (1930) — Contributor — 64 copies
Mystery for Christmas (1990) — Contributor — 51 copies
Victorian Love Stories: An Oxford Anthology (1996) — Contributor — 48 copies
Elegy written in a country churchyard and other poems (2009) — Contributor — 42 copies
The Oxford Book of Historical Stories (1994) — Contributor — 41 copies
A Quarto of Modern Literature (1935) — Contributor — 40 copies
The Big Book of Victorian Mysteries (2021) — Contributor — 40 copies
Great English Short Stories (Dover Thrift Editions) (2005) — Contributor — 39 copies
The Oxford Book of English Love Stories (1996) — Contributor — 36 copies
Modern English Short Stories (1939) — Contributor — 36 copies
The Three Strangers (adapted ∙ Oxford bookworms ∙ Stage 3) (2000) — Original author — 34 copies
Far from the Madding Crowd [1998 film] (1998) — Original book — 33 copies
Tess of the d'Urbervilles [1998 TV movie] (1985) — Original book — 31 copies
Famous and Curious Animal Stories (1982) — Contributor — 29 copies
Under the Greenwood Tree [2005 TV movie] (2006) — Original book — 28 copies
Great Ghost Stories: 34 Classic Tales of the Supernatural (2002) — Contributor — 27 copies
Chills and Thrills: Tales of Terror and Enchantment (2001) — Contributor — 22 copies
The Best Horror Stories (1977) — Contributor — 22 copies
The Great Book of Humour (1935) — Contributor — 22 copies
Cuentos de amor victorianos (2004) — Contributor — 21 copies
Great English Short Stories (1930) — Contributor — 20 copies
The Broadview Anthology of Victorian Short Stories (2004) — Contributor — 20 copies
Ellery Queen's Poetic Justice (1967) — Contributor, some editions — 18 copies
Horror by Lamplight (1993) — Contributor — 18 copies
Masters of British Literature, Volume B (2007) — Contributor — 17 copies
Tess of the d'Urbervilles [2008 TV mini series] (2009) — Original book — 16 copies
Stories by English Authors (1902) — Contributor — 15 copies
Paha vieras (1996) 15 copies
Christmas classics: A treasury for Latter-Day Saints (1995) — Contributor — 14 copies
Stories by English Authors: England (1896) — Contributor — 14 copies
Four English Novels (1960) — Contributor — 12 copies
England forteller : britiske og irske noveller (1970) — Contributor — 10 copies
Men and Women: The Poetry of Love (1970) — Contributor — 8 copies
My Favorite Suspense Stories (1968) — Contributor — 8 copies
An Adult's Garden of Bloomers (1966) — Contributor — 7 copies
The Trials of Love (1990) — Contributor — 7 copies
The New Windmill Book of Stories from Different Genres (1998) — Contributor — 7 copies
The West Country Book (1981) — Contributor — 6 copies
Poetry anthology (2000) — Contributor, some editions — 6 copies
The Story Survey (1953) — Contributor — 6 copies
Evergreen Stories (1998) — Contributor — 5 copies
Thames: An Anthology of River Poems (1999) — Contributor — 5 copies
The Fireside Treasury of Modern Humor (1963) — Contributor — 5 copies
Great Love Scenes from Famous Novels (1943) — Contributor — 5 copies
Collected Classics, Vol. 2 (2000) — Contributor — 5 copies
La poesía inglesa románticos y victorianos — Contributor — 4 copies
Six Short Stories (1991) — Contributor — 4 copies
Famous Stories of Five Centuries (1934) — Contributor — 4 copies
Loves and Deaths (1972) — Contributor — 4 copies
Let Us Be Men (1969) — Contributor — 3 copies
A Christmas Anthology (2011) — Contributor — 3 copies
Enjoying Stories (1987) — Contributor — 2 copies
Representative Modern Short Stories (1929) — Contributor — 2 copies
The Children's Own Treasure Book (1947) — Contributor — 2 copies
American Aphrodite (Volume Four, Number Thirteen) (1954) — Contributor — 2 copies
Short Stories of the Past (1950) — Contributor — 2 copies
A Book of Narratives (1917) — Contributor — 2 copies
West Country Short Stories (1949) — Contributor — 2 copies
Modern Short Stories — Contributor — 2 copies
Country Living Magazine Christmas Stories (1995) — Contributor — 1 copy

Tagged

1001 (369) 1001 books (374) 19th century (2,361) 19th century fiction (239) 19th century literature (376) anthology (987) British (1,167) British fiction (238) British literature (1,284) classic (2,370) classic fiction (397) classic literature (405) classics (2,800) ebook (309) England (1,153) English (639) English literature (1,659) fiction (9,807) Folio Society (596) Hardy (581) historical fiction (201) Kindle (334) literature (2,343) love (232) novel (2,089) own (307) paperback (171) Penguin Classics (252) poetry (2,613) read (632) romance (443) short stories (909) Thomas Hardy (672) to-read (3,052) tragedy (325) UK (206) unread (570) Victorian (972) Victorian literature (307) Wessex (539)

Common Knowledge

Birthdate
1840-06-02
Date of death
1928-01-11
Burial location
Westminster Abbey, London, England, UK
St. Michael's churchyard, Stinsford, Dorset, England, UK (heart)
Gender
male
Nationality
UK
Country (for map)
England, UK
Birthplace
Higher Bockhampton, Dorsetshire, England, UK
Place of death
Dorchester, Dorset, England, UK
Cause of death
Pleurisy
Places of residence
Higher Bockhampton, Dorsetshire, England, UK
St Juliot, Cornwall, England
London, England, UK
Dorchester, Dorset, England, UK
Education
King's College, London
Occupations
architect
novelist
poet
Awards and honors
Order of Merit (1910)
Fellow, Royal Society of Literature
Short biography
Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England.

While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin.

Many of his novels concern tragic characters struggling against their passions and social circumstances, and they are often set in the semi-fictional region of Wessex; initially based on the medieval Anglo-Saxon kingdom, Hardy's Wessex eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England. Two of his novels, Tess of the d'Urbervilles and Far from the Madding Crowd, were listed in the top 50 on the BBC's survey The Big Read.

Members

Discussions

THE DEEP ONES: "The Withered Arm" by Thomas Hardy in The Weird Tradition (April 2023)
2013 Quarter 2 - Thomas Hardy in Monthly Author Reads (October 2013)
Just Joined - and my small/humble HP collection... in George Macy devotees (September 2012)
Jude the Obscure: Parts 4-6 in Group Reads - Literature (July 2011)
Jude the Obscure: Parts 1-3 in Group Reads - Literature (July 2011)

Reviews

Tess of the D'Urbervilles is the kind of book that makes you wish you were back in one of your Brit Lit classes debating it with equally enthusiastic classmates. An erudite novel replete with Biblical, mythological and cultural references left as clues for the close reader to interpret in Thomas Hardy's exploration of whether we are defined by our actions or our intentions.

Hardy's eponymous heroine is a sixteen-year-old country girl at the story's outset, just removed from school and under the guidance of her uneducated parents who have recently discovered their noble ancestry. At their behest, she travels to the nearby estate of a wealthy relative to seek employment and a financially beneficial match. Unfortunately, the supposed relatives have in fact appropriated the family name, rather than being born into it, and the naive Tess is set upon and disgraced by the scoundrel son, Alec. Her self-assessed punishment is to run away from family and friends, working in anonymity as milkmaid on a faraway farm.

The remainder of Tess's story is a disheartening reminder that one's past cannot be left behind. She finds love, only to be scorned by a hypocritical husband guilty of her same crime (absent an out of wedlock birth). Her shiftless parents burden her for money in their ignorance regarding her impoverished life. Worst of all, she suffers the renewed advances of the irredeemable Alec.

Tess of the D'Urbervilles is a critical analysis of late 18th century England morals and manners with a healthy dose of Ecclesiastical philosophy thrown in: the repetitive nature of Tess's sad life is mere proof that there is nothing new under the sun.
… (more)
 
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skavlanj | 247 other reviews | May 30, 2024 |
Such a well written and painful book. Hardy's writing is amazing, so detailed and descriptive, and he seems to describe everything! His 3 main characters are so well portrayed I felt for all of them and was sad so much of the time I was reading this book. Tess was a woman of courage who sufferered greatly, but was much more than a victim. She worked herself very hard and tried to please the love of her life as much as she possibly could. She also realized that she had a right to be treated respectfully. The ending is very logical and both very depressing and very hopeful.… (more)
 
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suesbooks | 247 other reviews | May 27, 2024 |
Angel Clare - I can't stand him, urghhh!
Angel was a whiney, pathetic, hypocritical, self-obsessed oaf from his first moody sigh to his last melodramatic tear. The only reason I'd want to see him is so I could kick him.
Angel, I hate you.
Tess, I'm sorry you loved an unredeemable man. You deserved so much better.
 
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ChariseH | 247 other reviews | May 25, 2024 |
Tess of the d'Urbervilles is one of those books where I had the nearly uncontrollable urge to hurl it violently across the room. It's one of those books that painfully reminds us how bad things were for women, and how far we still have to go with gender equality.

In an attempt to not litter this whole review with angry ranting… here is the clean synopsis:

The story follows young Tess Durbeyfield, who, after her father’s discovery that they are distantly related to the ancient and noble d’Urberville family, is sent to work for what seems to be the last d’Urbervilles, by which he means to have her ask them for financial assistance. The young Alec d’Urberville however, has licentious ulterior motives for letting Tess stay and work for them. Tragedy befalls Tess in her time there, something that changes her whole life. In an attempt to forget her terrible secret and start afresh, she leaves to work for a dairy far to the south. However she soon finds that the past tends to haunt one’s steps wherever you may go.

But here is what I really gleaned of the plot (LOTS OF SPOILERS):

Basically what happens is that Tess innocently goes to work for these “d’Urbervilles.” Alec lets Tess work for him because she’s beautiful and naïve. He hounds her every step, harasses her, comes on to her, and ignores every “no” she gives him. One night after going to a party with some of the other farm workers, she finds herself walking home alone, her drunken companions having abandoned her. Alec finds Tess alone, and under the pretense of taking her home, he instead rides around the countryside until she falls asleep. It’s then that Alec takes advantage of Tess… In the most uncouth of terms, Alec “date rapes” Tess. Realizing later what has happened, Tess goes home where she births her illegitimate child. Her family basically tells her she should’ve known better – it was her fault, she led him on. Sound familiar?

Her child, dubbed “Sorrow,” is doomed to a short life. After the child dies, Tess leaves home to work at Talbothay’s Dairy, far south from where her home is. Her intention is to start afresh, where no one knows her or her history. Vowing never to marry, because by Victorian standards she is unmarriageable – even though she was raped and had no control of what happened to her. She tries to lie low but soon becomes the love-interest of one Angel Clare. She denies his affections dozens of times, because she knows what’s happened to her. But she loves him too, and soon caves and agrees to marry him. But the entire time, she doesn’t tell him about her past – that she was raped and gave birth to a child. They get married. On the night of their marriage, Angel is feeling all truthful and confesses that once, when he was in London, he “went crazy” and had a one night stand with an unknown woman. Tess thinks this is great, because she can finally spill her secret without feeling guilty, or so she thinks. She tells him what happened, and Angel instantly rejects her. Cursing her and saying that she’s a completely different woman than the one he fell in love with – he’s ashamed of her actions, furious that she lied. And even more mad because this is the Victorian era and you can’t get a divorce because somehow that’s even worse that getting raped out of wedlock and not telling anyone.

After this confession, Angel gives Tess some money and abandons her to go try some pointless farming in Brazil. Tess quickly spends all the money, and is left nearly destitute just as winter hits. Too prideful to ask her in-laws for more money, she ends up working on a miserable turnip farm near the ocean. Some time passes, and she runs into Alec again, who is a newly professed convert and preacher. However, when Alec sees her, he just “can’t resist her.” He leaves his preaching and newfound religion, (blaming Tess’s irresistible beauty for causing him to stray from the path), to start harassing Tess again. He hounds her and hounds her for weeks and weeks, not believing that she’s married, because any good husband would be there to provide for her. (Okay, I agree with him on that point.) Finally she gives in, believing that Angel will never come back. They get hitched, and it’s only THEN that Angel gets his ass back to England to help Tess. (Okay the fact that it took months to travel from Brazil to England back then probably contributed to how long it took him, but at this point I really just wanted to punch Angel in his stupid face, the numbnut.) He finds her remarried. Tess is so furious that Alec convinced her to marry him, that she promptly runs upstairs after Angel leaves and stabs Alec. About time.

After that, Angel finally grows a pair and forgives her, realizing she’s beautiful and he loves her after all. They get a week together before Tess gets arrested and put to death for murdering Alec.

So basically, the entire book is Tess having all these hardships befall her because something happened to her that she couldn’t control. All because she was raped out of wedlock, she lives a life of misery that everyone tells her is self-imposed. And this was the point that Hardy was trying to make – is it really fair to shame a woman for something that she is not to blame for?

”Never in her life – she could swear it from the bottom of her soul – had she ever intended to do wrong; yet these hard judgments had come. Whatever her sins, they were not sins of intention, but of inadvertence, and why should she have been punished so persistently?”


The really infuriating part was that throughout most of the book, Angel proudly professes his agnosticism, (or perhaps atheism), saying that he’s better than those outdated religious ideals. Ok, then why did you immediately reject Tess without thinking?? Blaming morality and values as the reason to abandon Tess, without any consideration for how Tess is so much more than her rape. However, it is clear that soon after leaving her, Angel has the same thoughts; Hardy also litters the text with examples from the Bible of how one should value one’s wife, etc. It only infuriates me more that it took him so long to get over his pride and return to the one that he originally proclaimed to love and protect.


The craziest thing about this book, is that I really liked it, despite all that happens. It is beautifully written. Tess has an appreciation for the natural world around her that’s very eloquently expressed a multitude of times. Hardy is truly a master of imagery and vivid description. Sometimes the way he writes is so beautiful it hurts. Which is why I could forgive him for all the times that he wrote such horrible things happening to Tess.

Overall, Tess of the d’Urbervilles is an infuriating but very well-written book, with many powerful messages to share. While we have come a long way from the Victorian era in the way women are treated today, there are sadly still many things that we do which parallel that time. Blaming the victim for instance. So don't let anyone say that classical novels are irrelevant or a waste of time.
In the end, I would give Tess of the d'Urbervilles 3.5 stars.
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escapinginpaper | 247 other reviews | May 18, 2024 |

Lists

100 (1)
1880s (1)
1870s (1)
AP Lit (4)
1890s (2)

Awards

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Associated Authors

Jennifer Bassett Adapter, Adapted by, Series Editor
Clare West Adapter
John Paul Riquelme Editor, Contributor
Charles Dickens Contributor
John Brownjohn Screenwriter
Gérard Brach Screenwriter
Robert W. Lenski Screenwriter
George Moore Contributor
Henry James Contributor
Walter Besant Contributor
Chris Rice Retold by
Chris Tutton Foreword
Lewis Jones Adaptor
A. G. Eyre Adaptor
Samuel Hynes Editor, Introduction
Peter Firth Narrator
John Wain Editor, Compiler
Geoffrey Grigson Introduction, Editor
James Gibson Editor, Introduction, biographical note
Ellen Rooney Contributor
Jennifer Wicke Contributor
Garrett Stewart Contributor
Tommy Jenkins Introduction
Geoffrey Unsworth Cinematographer
Ghislain Cloquet Cinematographer
David Ball Producer
Nick Gillott Producer
Brent Shields Producer
Richard Welsh Producer
Tom Paulin Editor
J. I. M. Stewart Introduction
Edward Leeson Preface and Editor
Ned Halley Editor
Jodhi May Actor
James Tierney Activities by
Maud Jackson Adapted by
Janet Cameron Adapted by
Robert Macfarlane Introduction
Stanley Donwood Illustrator
Kate Fielder Cover Photograph
Peter Reddick Illustrator
C. H. Sisson Editor, Contributor, Introduction
Patricia Ingham Foreword, Preface, Editor
Anna Bentinck Narrator
Tim Dolin Editor
John Bayley Introduction
Leo Dillon Cover artist
Diane Dillon Cover artist
Horace Gregory Afterword
Penny Boumelha Introduction
Claire Seymour Introduction
Clare Leighton Illustrator
Giovanni Luciani Translator, Introduction
Michael Irwin Introduction
Elspeth Sandys Introduction
Davina Porter Narrator
Vivien Gribble Illustrator
Ralph Cosham Narrator
James Hill Cover artist
Imogen Stubbs Narrator
David Galef Introduction
Tim Horton Editor
A. Alvarez Introduction
Peter Marginter Übersetzer
Helen Allingham Illustrator
Robert Mathias Cover designer
John Lee Narrator
Norman Vance Introduction
Margaret Drabble Introduction
George Dickerson Introduction
Rosellen Brown Introduction
J. Hillis Miller Introduction
Quim Monzó Translator
Arie Storm Translator
Ian Gregor Introduction
Tim O'Brien Cover artist
H.R Sharma Introduction
Joyce Kilmr Introduction
Bryn Caless Contributor
Alexander Theroux Introduction
John Milne Editor
Jeffrey Meyers Afterword
Tony Slade Editor
Sylvia Lynd Introduction
Robert C. Slack Introduction
Derwent May Introduction
Lauren Walsh Introduction
George Woodcock Introduction
Harry Forsblom Translator
Warner Taylor Introduction
Jane Smiley Introduction
Alan Rickman Narrator
Esther Pérez Translator
Magda Székely Translator
Samuel West Narrator
Tadhg Hynes Narrator
Patricia Ludlow Illustrator
Bob Golden Cover artist
Richard Hilder Cover artist
Simon Vance Narrator
Percy Graves Illustrator
C. Day Lewis Introduction
Robert Hardy Narrator
Jane Thomas Introduction
Peter Wickham Narrator
Hazel Douglas Narrator
F. Ron Miller Cover designer
Desmond Hawkins Introduction
Les Edwards Cover artist
Angela Thirlwell Introduction
Robert Cantwell Introduction
BJ Harrison Narrator

Statistics

Works
458
Also by
125
Members
76,818
Popularity
#159
Rating
3.9
Reviews
1,249
ISBNs
3,950
Languages
32
Favorited
413

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