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Georgette Heyer (1902–1974)

Author of The Grand Sophy

126+ Works 72,665 Members 2,510 Reviews 352 Favorited
There are 2 open discussions about this author. See now.

About the Author

Georgette Heyer was born on August 16, 1902 at Wimbledon, London. She wrote The Black Moth as a story for her brother Boris. Her father, impressed with his daughter's imagination, suggested that she prepare it to be published, which it was by Constable in 1921. Having scored an instant success with show more The Black Moth at the age of nineteen under her own name, Georgette Heyer, she experimented with a pseudonym, Stella Martin, for her third book, published by Mills & Boon. She continued writing and in 1925 she married Ronald Rougier, a mining engineer. After reasonable but not spectacular sales from her first few books the instant success of These Old Shades in 1926 brought her a solid source of income which was very necessary at the time since the family relied to a large extent on the income from Georgette Heyer's writing. She wrote over fifty books during her lifetime and created the Regency England genre of romance novels. She died on July 4, 1974 at the age of 71. (Bowker Author Biography) show less

Series

Works by Georgette Heyer

The Grand Sophy (1950) 2,990 copies
Frederica (1965) 2,408 copies
These Old Shades (1926) 2,384 copies
Cotillion (1953) 2,274 copies
Venetia (1958) 2,170 copies
Arabella (1949) 2,158 copies
Devil's Cub (1932) 2,151 copies
Sylvester (1957) 1,848 copies
The Convenient Marriage (1934) 1,826 copies
Lady of Quality (1972) 1,717 copies
The Nonesuch (1962) 1,707 copies
Regency Buck (1935) 1,672 copies
Black Sheep (1966) 1,654 copies
Friday's Child (1944) 1,652 copies
Faro's Daughter (1941) 1,633 copies
The Corinthian (1940) 1,624 copies
The Black Moth (1921) 1,611 copies
The Masqueraders (1928) 1,581 copies
The Reluctant Widow (1946) 1,578 copies
The Talisman Ring (1936) 1,567 copies
The Quiet Gentleman (1951) 1,532 copies
The Unknown Ajax (1959) 1,526 copies
Bath Tangle (1955) 1,508 copies
A Civil Contract (1961) 1,469 copies
False Colours (1963) 1,466 copies
Sprig Muslin (1956) 1,429 copies
The Foundling (1948) 1,424 copies
Cousin Kate (1968) 1,401 copies
The Toll-Gate (1954) 1,362 copies
Charity Girl (1970) 1,318 copies
April Lady (1957) 1,203 copies
An Infamous Army (1937) 1,187 copies
Powder and Patch (1923) — Pseudonym, some editions — 1,186 copies
Why Shoot A Butler? (1933) 1,021 copies
Footsteps in the Dark (1932) 1,001 copies
Beauvallet (1929) 984 copies
Death in the Stocks (1935) 980 copies
Envious Casca (1941) 974 copies
Behold, Here's Poison (1936) 911 copies
A Blunt Instrument (1938) 879 copies
They Found Him Dead (1937) 865 copies
The Unfinished Clue (1934) 843 copies
No Wind of Blame (1939) 835 copies
The Spanish Bride (1940) 834 copies
Pistols for Two (1960) 801 copies
Detection Unlimited (1953) 780 copies
Duplicate Death (1951) 755 copies
Penhallow (1942) 657 copies
The Conqueror (1931) 632 copies
My Lord John (1975) 577 copies
Simon the Coldheart (1925) 570 copies
Royal Escape (1938) 565 copies
Snowdrift and Other Stories (2016) 169 copies
The Great Roxhythe (1923) 110 copies
Pastel (1929) 60 copies
Instead of the Thorn (1923) — Pseudonym, some editions — 52 copies
Helen (1928) 49 copies
Barren Corn (1930) 46 copies
Venetia [abridged] (2010) 33 copies
Sylvester [abridged] (2009) 28 copies
Devil's Cub + False Colours (1966) 21 copies
Arabella + The Corinthian (2005) 15 copies
Pursuit [short story] (1939) 9 copies
Full Moon (Short-Story) (1948) 7 copies
Georgette Heyer 4 copies
The Duel (Short-Story) (1960) 1 copy
Hazard [short story] (1960) 1 copy

Associated Works

Bodies from the Library (2018) — Contributor — 127 copies
The Oxford Book of Historical Stories (1994) — Contributor — 41 copies
The Queen's Book of the Red Cross (1939) — Contributor — 36 copies
The Anthology of Love and Romance (1994) — Contributor — 5 copies
Suspense, August 1958 [Vol. 1, No. 1] (1958) — Contributor — 2 copies

Tagged

18th century (201) 1930s (216) 19th century (655) 20th century (381) audiobook (249) Britain (221) British (1,063) comedy of manners (380) crime (498) crime fiction (183) ebook (1,167) England (1,602) English (420) fiction (8,954) Georgette Heyer (1,339) Georgian (318) Heyer (1,377) historical (3,064) historical fiction (4,854) historical novel (261) historical romance (2,949) history (283) humor (643) Kindle (1,043) mystery (2,783) nook (197) novel (810) own (400) paperback (397) PB (294) read (1,029) Regency (6,669) Regency England (310) Regency Era (288) Regency romance (2,563) reread (197) romance (9,249) romance fiction (190) to-read (2,121) unread (528)

Common Knowledge

Canonical name
Heyer, Georgette
Legal name
Rougier, Georgette Heyer
Other names
Martin, Stella
Birthdate
1902-08-16
Date of death
1974-07-04
Gender
female
Nationality
UK
Birthplace
Wimbledon, London, England, UK
Place of death
London, England, UK
Cause of death
lung cancer
Places of residence
England, UK
Wimbledon, England, UK
Paris, France
Tanganyika
Macedonia
Education
Royal College of Music
Occupations
novelist
historical novelist
crime novelist
Relationships
Oman, Carola (friend)
Rougier, George Ronald (husband)
Heyer, George (father)
Awards and honors
Blue Plaque
Short biography
Georgette Heyer wrote meticulously researched historical-romance novels, specializing in the late eighteenth/early nineteenth-century, and was most famous for her Regency novels. She lived a sheltered childhood and at age 17, created a serial story to amuse her brother Boris, who was ill; their father asked her to prepare it for publication and his agent found a publisher for it -- this became The Black Moth (1921), about a disgraced young aristocrat who becomes a highwayman. According to Georgette Heyer's biographer Jane Aiken Hodge, that first novel contained many of the elements that would become standard for Heyer's works, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men." Beginning in 1932, Heyer released one romance novel and one detective thriller each year. Her books were highly popular both in the UK and the USA and she remains an enduring international bestseller, read and loved by four generations of readers.

Members

Discussions

OT: Heyer censored in Folio Society Devotees (November 2023)
Georgette Heyer - Frederica in Folio Society Devotees (September 2023)
Found: Victorian era woman comes into her own in Name that Book (August 2021)
BRITISH AUTHOR CHALLENGE - JUNE 2017 - HEYER & SCHAMA in 75 Books Challenge for 2017 (October 2017)
Read GEORGETTE HEYER in June in 2014 Category Challenge (July 2014)
FREDERICA - Group Read - SPOILERS POSSIBLE in 75 Books Challenge for 2014 (March 2014)
Can't remember the names of these books in Name that Book (August 2013)
Georgette Heyer in Cozy Mysteries (December 2012)
January 2012: Georgette Heyer in Monthly Author Reads (March 2012)
Fantasy casting: Frederica in Almack's (May 2010)
Heyer Discussion: [Friday's Child] in 75 Books Challenge for 2009 (February 2010)
Historicals in Almack's (January 2010)
Adaptations? in Almack's (December 2009)
Reluctant Widow film adaptation in Almack's (December 2009)
Music in Heyer in Almack's (November 2009)
Heyer, No Wind of Blame, rev. jimroberts in Reviews reviewed (September 2009)

Reviews

The Grand Sophy by Georgette Heyer

I remember reading Georgette Heyer in high school and loving all of the books that my father passed on to me. I am not sure if I liked them because he suggested them or if it was because they swept me into romance and all I could think about then was boys, kissing them, and one day getting married. Since I had such fond memories of books by this author, I was eager to revisit this book. Once again, I found that a book I once loved was not as fun to read today.

I am not sure if my disenchantment had to do with the changes in writing style over the past half century+ since I read this book or if it was something else. I felt the book was not in tune with the era it was written about and it did not resonate with me – I had trouble getting into the story, didn’t find myself caring about any of the characters, or what was happening in their lives. I seemed more worried about the monkey, dog and parrot than the people and that gave me pause. I opted to skim a bit but not read it cover to cover because I decided that I would prefer to return to my memories of reading it long ago and how I felt then rather than read and not enjoy the story this time around. It may be a classic and worth reading but not worth reading right now for me.

Thank you to NetGalley and SOURCEBOOKS Casablanca for the ARC – This is my honest review.

2-3 Stars
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½
 
Flagged
CathyGeha | 133 other reviews | May 19, 2024 |
Basically this book is Barbieheimer, if the Barbie part were a historical Regency romance novel and the Oppenheimer part were a dry, grim Napoleonic war novel. In fact, the heroine's name is actually Barbara so that works perfectly! She's a young widow who is so beautiful and bewitching that she's constantly surrounded by enthralled lovesick men. She's scandalous because she flirts with all of them and paints her toenails gold like a Parisian prostitute!! Quel horreur!!! Alexa, play "Maneater" (either version works fine). The hero is Colonel Audrey, a dashing handsome man who is sensible and respectable; this is contradicted in the text by him falling in love with Barbara at first sight and proposing like the second time they meet, as well as him being stupid enough to think Barbara will stop being such a scandalous flirt after they're engaged, despite her telling him straight to his face that she won't stop and will keep doing whatever she wants. He's like "no you won't" and then gets all surprised Pikachu face when she does. Who could have foreseen this??? I don't get why he had to be so much older than her (about ten years). GH really had a thing for older male love interests.

The war half of this book is about the Duke of Wellington planning/preparing for war, which mostly seems to consist of him writing letters during the day and then going to balls and dances at night. He's basically the third main character of this book. Audrey is one of his aides, and other aids and their love interests are side characters. This part of the book is very dry and boring; when we get to the Battle of Waterloo it's very violent and sad with all the deaths and injuries. The two halves of the book are very inharmonious and the nonexistent transitions between the two are jarring. It'll be like: "Her eyes flashing, Barbara bounded away. [paragraph break] The Duke of Wellington sat down to write a letter..." Heyer really did her research (she has a bibliography in the back of the book) and did her best to write about the Duke of Wellington and the Battle of Waterloo in an accurate way, but it would have been better if she'd split the two books up. Pick a lane, Heyer. Barbarloo was not fun; at least Barbieheimer was two different films so you could choose to skip one.

Check out my review, plus trigger warnings, at https://fileundermichellaneous.blogspot.com/2024/05/book-review-infamous-army-by...
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Flagged
Mialro | 36 other reviews | May 16, 2024 |
Arabella is the oldest daughter of an impoverished country parson. She is headed to London to stay with her godmother and meets Robert Beaumaris. She lets herself be provoked by him and what she says begins a charade that is very entertaining.
I really enjoyed this book. I loved Arabella's character and I really liked Roberts as well. I liked that the romance evolved over time. One complaint I have with Georgette Heyer regency books is the romance often feels a little icky with the man being quite a bit older and treating the woman like a child. That was not the case in this book which I was very happy about.

I loved the relationship between Robert and his dog Ulysses. I found it very humorous. I also really enjoyed the scene with the chimney boy.
There was quite a bit of humor in this book. Most of the book is from Arabella's POV and some is from Roberts but there is also a bit from Arabella's brother Bertram. I didn't enjoy those parts as much.
There is some blasphemy and some thoughts of suicide by one character, other than that it is a clean read.
I would recommend this book as a very enjoyable read.
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Flagged
Piper29 | 65 other reviews | May 13, 2024 |
This book started really slowly for me but about halfway through it got much more interesting and I started to enjoy it a lot more. I really like the enemies to lovers trope and this one didn't disappoint and the second half of the journey getting there was enjoyable. There's the inevitable misunderstandings, the assumptions, but then let's throw in a kidnapping for fun!
I liked Deborah Grantham's strong character but found her aunt a little bit annoying. If she's having such bad money troubles then maybe she should pay attention to what she's spending!
I think we definitely need to bring back drinking chocolate in the morning! "...Lady Bellingham, sipping her early chocolate in bed..."
Overall it was a good book, not my favorite of this author but enjoyable.
… (more)
 
Flagged
Piper29 | 55 other reviews | May 13, 2024 |

Lists

1930s (1)
Ghosts (1)
1940s (1)
1950s (4)

Awards

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Associated Authors

Jennifer Kloester Foreword, Editor
Stella Martin Pseudonym
Phyllida Nash Narrator
Piet Donkersloot Cover designer
Matt Addis Narrator
Poul Ib Liebe Translator
Eve Matheson Narrator
Denise Meunier Translator
Ulli Birvé Narrator
Hanna Lux Translator
Emi Ehm Translator
Erika Kaiser Translator
A. E. Barbosa; Illustrator
Mieko Inomata Translator
Jan Louwen Translator
Hugh Dickson Narrator
Ulli Birvé Narrator
Hermann Stiehl Translator
Edmund Th. Kauer Translator
Eva Kausche-Kongsbak Cover designer
Linda Howard Foreword
Michael Drew Narrator
Joan Wolf Foreword
Nicholas Rowe Narrator
Jo Beverley Foreword
Stefanie Neumann Translator
Edward Mortelmans Cover designer
June Barrie Narrator
Sarah Butcher music programmer
Laura Paton Narrator
Hannah Whale Cover designer
Dreamstime Cover images
Rupert Degas Narrator
Diana Palmer Foreword
Tom Knobloch Cover photo
J.F. Andriessen Translator
Mary Balogh Foreword
Ruth Sillers Narrator
Debby Chabrian Cover Art
Allan Kass Cover artist
Philip Gough Illustrator
Karen Hawkins Foreword
Lida Winiewicz Translator
Debbie Chabrian Cover artist
Peter Noble Narrator
Jilly Bond Narrator
Daniel Hill Narrator
Bob Berran Cover artist
Clare Higgins Narrator
Jamie Glover Narrator
Ingrid Berglöf Translator
Ilse Winger Translator
Adele Stuzka Translator
Anton Stuzka Translator
Marilena Caselli Translator
Perrine Vernay Translator
Franziska Reiter Translator
Miriam Dou Translator
Ulla Hengst Translator
Ellen Duurloo Translator
Roland Fleissner Translator
Yvette Widmer Translator
Göran Salander Translator
A.V. Sanina Translator
Daria Olivier Translator
Tiit Rammul Cover designer
A. A. Zamchuka Translator
T. O. Ikonen Translator
Andrew Nash Cover artist
Kurt Wagenseil Translator
Mirjam Ikonen Translator
Anna Luisa Zazo Translator
Bob Marchant Cover artist
Walter Lambert Illustrator
Ben Elliot Narrator

Statistics

Works
126
Also by
6
Members
72,665
Popularity
#174
Rating
3.9
Reviews
2,510
ISBNs
2,070
Languages
16
Favorited
352

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